Before I begin with my review, I want to say that I remember reviewing another track by you called "Nebulae". Tbh I found that track to be uncreative in some ways and amazing in others. Your potential was really apparent in that track and I felt like you just needed to find your own style.
This is definetly it.
The sound design is not only good, it's innovative and really creative. The sounds really go well together and fill each other out. That part at 02:08 when the bells comes in is the definition of smexiness ;D! The progression is genious and has a lot of turning points that keeps the interest up. Youve been able to switch parts around in a very good way without affecting the general feeling of the song.
The part at 02:55 really is the essence of what you are simply great at. Not many would consider suddenly changing to a funk part at that point, but it works perfectly. That slippy-squaresaw sounds amazing :D.
There's a lot of great things I could say about this track, but I believe it all comes down to this being the essence of what your music is all about. It's a blend of dance and techno, and when you start adding funk elements as well you are heading for greatness.
Even though I think this track was really good, I'll still deduct half a point. The reason is the eq.
the giant saw that comes in at
01:27 is stealing a lot of the shine from the bass parts and the slippy square. I would recommend trying to analyze at which frequencies the different synths shine the most, and try to lower or cut that particular frequency from the other synths.
Also it sounds you are letting some unwanted frequencies pass through in your EQ. I recommend cutting some of the lowest frequencies from ALL your synths and samples. How much of the lower frequencies you want to cut depends on the synth, but a general rule is that you cut what you can't hear. As an example, high pitched synths like the one at 02:57 pretty much only shine in the low and hi middle frequencies, so there's a lot of low frequencies that you can cut. if you use fl studio, add a parametric eq on all your active mixer channels(except the master), select one of the presets that says something like "20hz - 18khz" and move the low end cut point(the place where the cutting starts. It will be at 20hz in this case), until you find the point where you start hearing that the synth noise changes. You want to cut all frequencies to the left of this point.
If you don't use fl-studio, pretty much all Daw has a simillar eq plugin that does the exact same thing. Unwanted/uneeded frequencies like this which you think you can't hear, makes the mix sound muddy when all the synths come together, so I really recommend learning and mastering this technique.
Overall a great track, and it's amazing to see someone who has requested a review has grown this much :D! Keep it up ;).
4.5/5
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